Analysis and comparison of the presentation of the prologue Essay

The prologue is the introduction, which nourish in concert outs an overview of the play. It tells us what obtains at the ending of the play, in this case in Romeo and Juliet it is told in the introduction, for role model the lines, a pair of star- coddled lovers deliver their life, doth with their death bury their p bents fight. These devil lines say that Romeo and Juliet both(prenominal) blockheaded in love with for each 1 another(prenominal), lead at the end of the play, the reason organismness that their pargonnts nauseated each other. It also sets the shooter of dependable Verona and it explains the contents of the play, Two households, and subvert to new mutiny.The prologue is say by the chorus. This means it is an idea of a classify of people interpreted from ancient classic tradition. The prologue does non introduce the auditory sense to the characters in the play it just talks concisely ab come on the events within the play. A prologue at the comme ncement of a play is a style commonly used by Shakespe ar to open up a play. It is also common that Shakespe be uses the use of a praise to produce the prologues. A sonnet perpetually has fourteen lines in total. It is a in truth(prenominal) precise piece of poetry. The rhyme end is precise tight and controlled- a,b,a,b,c,d,c,d,e,f,e,f,g,g.They consist of three just nearly quatrains with a last-place rhyming couplet. It is real controlled, yet truly subtle. You would tend to commemorate the drool telling graduation and indeed later realise that it is a meter with rhythm. T here(predicate) ar ten syllables in each line, a pattern of emphasize and unstressed syllables. It is self consciously dramatic. It emphasises its solve in telling the story, Is now the ii hours traffic of our stage. It in a flash tells the auditory sense to pay attention, The which if you with patient ears attend, what here shall miss, our toil shall strive to mend, and the play leave de velop from what the prologue has been revealing.In Franco Ze completellis business of Romeo and Juliet, the prologue is very(prenominal) brief and short. The film starts collide with with the details, the enterprisingness credits. The typesetters case to the credits is in washcloth and in a quite a gothic style of writing making it fit in with the traditional theme. firearm the details are retardly appea bound on the sieve, around the screen in that location is a thin margin of orange tree geometric shapes on a yellow context. As the border is so corus so-and-sot and colourful, it is able to immediately catch the auditions eyes and in that locationfore grabs their attention. The border suggests a very sixties styles.You would credibly expect a more(prenominal) formal, gloomful edged winning of border. A fleecy and slow melody vie on a harpsichord plays quietly in the background. The core that Zefirelli tries to earn here is to create a nice calm beginning to the play. In s enthusiastic wholeness, you can hitch the television television television television television camera panning over the city of Fair Verona and fairly out of focus. The light is spirited and hazy, gradually brightening up as the camera pans, suggesting that it is dawn. The colour of the light in the thumb shining over the city, creates a languid and peaceful movement, and adds to the ravisher of the city that is being shown.You could only just make out the tops of tall buildings and churches at scratch-year, however as it gradually gets lighter, the buildings and other features fail more into focus. The rooftops of houses, church spires and a river are arrestn benefitly. You are able to feel the quietude of the city in the early morning, which once once more gives the effect of the city being very calm and peaceful. The camera pans round the full-length city, and hence moves up towards the sun and allow with the sun being directly in the m iddle of the screen s enthusiastic. The sun suggests the hot foreign climate of a hot foreign country, such as Italy.Shakespeares name appears when the camera has stop panning and pore on the sun. All of this equals one continuos jibe. The panning is slow, and the brightening of the day is slow, creating a slow pace to the trigger piece. It gives me the tactual sensation of a slow climax to the prologue, acquire more and more anxious as it goes along, and stopping at the sun gives me the theory that it represents the end, with an either tragical end or a very happy end. I intend that it is onerous to relate to the unhurt play itself, with the gradual climax with an intense ending.Throughout coolness one, the speaker unit easy recites the prologue in a poetic style. He speaks slowly going with the steady lam of the slow motion of the panning of the camera, so that it would not effect the backgrounds being of peace. The speaker of the prologue is a man whose portion i s sonant, soothing and rhythmic as he echoes the prologue. He still speaks when going into the sustain shot. Shot dickens is of a medieval courtyard. In front of the courtyard thither is the city wall with battlements made of treasure and brick, which gives the impression of the lay being in the medieval times.The camera stops despicable and shows the shot of the courtyard while the speaker finishes reciting the prologue. As he completes his speech of the prologue, the camera moves slightly round to the left, which shows that where the camera is attached to the city wall, it is also one of the ends of a grumpy marketplace. The suns well-off bright morning light shines over the city wall and finished the path itinerary of the marketplace, representing that it is the start of a new day. The pop off of the hustle and bustle of a busy marketplace gradually builds up and the first act of the first scene begins there.This effect is to bring in the play with a more calm start and not rushing into the play with a variant shot, carry the auditory modality into a slow and calm beginning. Zefirelli does not create every spacious special effects. The title of the play, Romeo and Juliet appears as the speaker says the oral communication star-crossed lovers. Zefirellis purpose of having the title and the lyric star-crossed lovers coming up at the tell(prenominal) time, is to reinforce optically and aurally the of import(prenominal) loony toons of the play that it is a tragic story about the lovers Romeo and Juliet.Baz Luhrmanns pas seul of the prologue is done in very much more detail and is emphasised a huge amount more. Luhrmann tries to grab the attention of the audience with very fast moving screen shots and very lively music. The first shot that comes up on the screen is of a TV with a blank screen, and the hold surrounded by the camera and the TV is very removed, making the TV look very small in the distance. The first well(p) is the fuzz iness of a TV, and then on the screen of the TV, the possible action credits are displayed on dust coat tiles with a dismal background.The descent surrounded by the colours gives a very sharp effect. This gives a very contrasting first effect on the audience compared to Zefirellis opening shot. Luhrmanns first shot of the bold white tiles with a low-spirited background, gets the audiences attention straight a track. After the credits, a female newsreader appears on the TV screen, and she reads aloud the prologue. She says the prologue homogeneous reading aloud a news report rather than in a poetic sonnet fashion. This makes the prologue subtle and it makes the audience think twice in the lead realising that it is the prologue that she is saying.The subtle speaking of the prologue differs with Zefirellis make of the prologue being obvious to opening up the film. Be location the newsreader in the background, there is a small take to with some text underneath it. As the c amera is in the far distance, it makes it hard to see what the notion and text are, which makes the audience curiosity what it is. While the newsreader is saying the prologue, the camera subtly zooms in directly towards the screen, and the picture in the corner gradually comes into focus. The picture is of a broken ring with the text underneath it saying Star crossd lovers.The symbolism of the broken ring is that the lovers end up being lacerated away from each other. After the newsreader says the twelfth line of the prologue, the camera curtly picks up speeds and zooms right into the TV screen, through a high street. At the similar time the words, Fair Verona constantly flashes up in white with a saturnine background. From the zooming, it has merged from one background into other. This sudden pick up of speed would as if wake up the audience and lurid them as the screen had suddenly departed from one shot to another.This is very dissimilar Zefirellis exhibit of the prolog ue, as he keeps his prologue simple and calm all the way through, whereas Luhrmann uses the effect of zooming and trice words up creating a dramatic scene. The reason of flashing the words, Fair Verona while the camera rushes shoot down the high street, is to make the audience go out the comparison and realise exactly how elegant Verona really is in his version of the film. It shows a decaying urban landscape contradicting fair Verona. The font style of the writing is bold equivalent Arial, and is in block capitals, making it clear to the audience what it says.In Zefirellis, as the camera pans over the city, you can see that Verona is very pretty and fair, as the prologue says it is. As the camera reaches the end of the street, the camera is suddenly focussed on the face of a statue, which was far in the distance from where the zooming into the street began. really dramatic music starts to be played loudly, which produces a whoppingger effect on grabbing the audiences attenti on. The camera then pulls back to view the tops of two corporate buildings with the statue in the middle. The buildings have big signs on the top of them.They are the call of the two households, Capulet and Montague. They are in variant colours, Capulet in red and Montague in non-white. The differences in the colours emphasise the difference between the two. The effect of having the statue splitting the two buildings up is to make the point clear, that the two households lease something or someone to keep them isolated to avoid ca apply major rag in the city, as they absolutely turn down each other. The statue shown actually represents deliverer Christ. It is Jesus Christ who is trying to control the families and bringing some peace to the city.In Zefirellis version, the point that the two families cannot stand each other is not emphasised. As the prologue is said in the same tone and way all the way through and the pictures are just of how fair Verona is, does not give a def inite and clear point that the two households are major enemies. Luhrmann makes it visual to the audience, the hate between the two families. The attached part of the introduction to Luhrmanns labor of Romeo and Juliet, is of a rapid chain of clips from one to the other including clips of police cars with VBPD on the side of them standing for Verona Beach Police division.This is shown to tell the audience that this is Verona Beach and not fair Verona. The chain of clips also includes clips of helicopters, clips of the accident from contrastive viewpoints, some far up in the sky, some close up to casualties who were injured, and the damage done to the city by this one disaster brought up because of the hate between the Capulets and the Montagues. The disaster is emphasised in this rapid succession of clips, to stress how much damage can be caused by one incident done by the two families.It also makes the audience think and imagine if this one incident caused so much damage, the amount of damage that they probably had done to the city in the historic and what would be done in the future. The prologue is said once once more while another variety of images using other media of composition articles and powder store covers appear. This time, the prologue is said by a character whom is actually in the play, referring to how the prologue is traditionally said by the chorus. The character who speaks the prologue is mendicant Lawrence, and he says it in a poetic way, and this time the rhythm of a sonnet is emphasised.A man with a soft, gamy and low voice speaks the prologue like it is in Zefirellis intersection. This is one similarity that the two productions have. As he speaks, some words of the prologue is emphasised by magazine headlines appearing, using the effect of spinning one on top of the other. The headlines include New lawlessness and Civil Blood Makes Civil hold Unclean. These headlines are to tell the audience and remind them the symbolism and reasoning back end each word in the prologue. there is also a faint background of burning flames when these headlines appearing as if present the damage done.The images however, some are of like modern day newspapers and magazines. The camera slowly pans through a rack of antithetical covers, and the headline of each newspaper and magazine are all referring to the feud caused between the two households, emphasising that they produce big issues in the city. Other images in this group of images include police taking charge of the circumstance in a live kind of view, showing how fast the police and other services had to respond to reduce the bump of more damage happening. The police and fire departments had to work into the night with the clearing up of the situation.This is known as the images are taken from broad daylight into the dark night. These images give the audience a visual judgment of how bad it is of the two households hating each other, which can cause so many stra ightforward people in the city to be harmed. As the speaking of the prologue comes to an end, with the two lines A pair of star crossd lovers, take their life with the lines shown in white writing on a black background. This effect by now would be recognised by the audience by now as it had been used before to state the words Fair Verona.This effect of repeating jogs the audiences memories reminding them again and again the importance of the lines in the prologue. As the prologue stops being spoken, the same dramatic music becomes loud again. Each of the main characters are shown one by one with a pause on each with the text describing who each of the characters are and how they are either related to Romeo or Juliet or what the purpose of the character is in the film. This presentation of the character echoes the style of how it was done in famous program called Dallas.In Zefirellis version, the characters were not introduced and the film got right into the first scene once the prol ogue was spoken. A shot of Romeo spirit through the narrow dislocation of a door appears, and then the camera immediately changes its angle to show what he see, which is a church aisle with blue neon crosses and candles. The angles that these two shots were taken were both through a narrow opening of the door. The first shot was taken from the at heart of the church looking at Romeo, the man standing outside the door, and the second shot was taken from the outside of the door looking into the church.It emphasises what Romeo had seen, which the audience can assume is Juliet lie on the alter at the end of the aisle, Romeo thinking that she had really died. It also symbolises with that it was the refinement and the end, viewing Romeo and the crosses, show that they were linked together and producing the idea of death. There was one more series of fast moving clips and a rush of lines as a final wind up to the prologue. There are a variety of different clips of things that happen f rom the beginning of the play to the end. The repeating of the clips again and again produce permanent images into the minds of the audience.The prologue ends with the words take their life and move onto the first act. The words take their life are stated to tell the audience that the story line would conclude with something relevant to it. I think that it is a new proficiency Luhrmann has used. He uses the technique of grabbing the attention of the audience and makes them concentrate. The prologue being reinforced by being presented for the third time, does not makes the audience get bored and tire of the clips being seen and seen again, scarcely make them more excited about the film.I think that both Zefirelli and Luhrmann were trying to represent Romeo and Juliet in a different way, with different techniques. The prologue was of course interpreted differently. Zefirelli presented the prologue in his production in a gentle and calm way all the way through giving the audience a go od idea of the peace and beauty of Verona. Luhrmann of course presented the prologue in a different way, almost a complete contrast to what Zefirelli did. He changed Fair Verona into urban sprawled Verona.I think that the presentations of the prologue were both appropriate for their interpretations because Zefirelli valued to keep his production of Romeo and Juliet original and equivalent Shakespeare. Luhrmann wanted to interpret the play into something slightly more modern and unlike Shakespeares original version. In Luhrmanns production he emphasised the complications between the two households and the alterations he had made to the film, like how he set his production in an urban city and called it Verona Beach instead of setting it in the original city of Verona in Italy.